Wet Leg, a British indie rock band, embarked on a creative journey to select the cover image for their second album. Lead singer Rhian Teasdale, along with Iris Luz and Lava La Rue, curated the artwork for “Moisturizer” by blending elements of femininity with repulsiveness. The resulting cover, a blend of girlish charm and grotesqueness, secured a Grammy nomination for best album cover, marking the reintroduction of this category after over 50 years.
Competing for the same accolade are album covers from artists such as Bad Bunny, Tyler, the Creator, Perfume Genius, and Djo. The award recognizes the art directors behind these projects, with the recording artists being included as nominees in all cases except for Perfume Genius’s “Glory.”
The Recording Academy’s decision to reinstate the best album cover award reflects an acknowledgment of the significance of cover art in the digital era. This move aligns with the Academy’s commitment to honoring the diverse talents that shape the music industry.
Each album cover tells a unique story, capturing the essence and energy of the music it represents. From Tyler’s enigmatic close-up in “Chromakopia” to Perfume Genius’s introspective portrayal in “Glory,” these visuals serve as a gateway to the sonic landscapes within the albums.
In crafting these visual worlds, artists and art directors delve into symbolism and aesthetics to encapsulate the essence of the music. The cover of “The Crux” by Djo, set in a fictional hotel, embodies a cinematic quality inspired by classic films. Similarly, Bad Bunny’s minimalistic cover for “Debi Tirar Mas Fotos” evokes a sense of nostalgia and cultural identity.
As the Grammy Awards recognize the artistry behind album covers, the nominees exemplify the creativity and innovation that elevate these visual works. The process of selecting and honoring the best album covers underscores the integral role of visual storytelling in music.